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No No No

08/03/2013

No No No

If you sit and listen carefully to the words that pass in the brain while attempting to write a screenplay, or more exactly, while making the extended divided and crumbled attempts of writing screenplays, you find a word that repeats and reveals and transmits itself. In weak, strong, clear, dimmed, certain, apprehensive, crying, indifferent, energetic, exhausted phases. Again and again transmits itself. No. No. No. No it’s not. Not like this. This one not. This, no. No you shouldn’t. No. No. No. No. No. No no no. No. Absolutely no. No. No no. And if you listen carefully to this frequency, which comes from a far far away place, you can begin to identify the other world, which is thousand light years away, from which the No frequency is sent to us, and over there the no has the exact opposite meaning. Yes. Yes. Yes. Possible. Yes, it looks like a no. Yes, but it isn’t a no. Yes, it’s a disguise. Yes. Yes. Yes, there’s something here. Yes. Yes it is. Yes. Yes. Indeed. Yes. Yes.

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From → Writing

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